Tuesday, August 11, 2009

THE NEVILLE BROTHERS / DR. JOHN

THE NEVILLE BROTHERS / DR. JOHN and the Lower 911
Tuesday, August 25th 7:30pm
at the Keswick Theatre

The Neville Brothers
The differences between the four Neville Brothers are as dramatic as the similarities that unite them. The source of the similarities is passionate funk, a feeling for blues-soaked deep pocket grooves that is the basis of their greatness and exalted place in our cultural history.
Art is the oldest. They call him Poppa Funk for a reason. He formed the first band. As both inspired singer and blistering keyboardist, his role models were Fats Domino and Bill Doggett. Art is the Founding Father. He still lives in the same Thirteenth Ward block of Valence Street where he and his siblings were raised in New Orleans.
Charles is a year younger than Art. His religions are bebop and Buddhism. His instrument is the saxophone. At fifteen, he was the first brother to leave home and hit the road, playing with everyone from the Rabbit Foot Minstrels to B.B.King. They called him "The Boy Wonder of Sax." He went to Memphis and returned home with a new stew of blues.
click
here for the full bio

DR. JOHN
Dr. John, or Mac Rebennack as known to friends and family, is universally celebrated as the living embodiment of the rich musical heritage exclusive to New Orleans. His very colorful musical career began in the 1950s when he wrote and played guitar on some of the greatest records to come out of the Crescent City, including recordings by Professor Longhair, Art Neville, Joe Tex and Frankie Ford. A notorious gun incident forced the artist to give up the guitar and concentrate on organ and piano.
Further trouble at home sent Dr. John west in the 1960s, where he continued to be in demand as a session musician, playing on records by Sonny and Cher, Van Morrison and Aretha Franklin to name a few. He also launched his solo career, developing the charismatic persona of Dr. John The Night Tripper. Adorned with voodoo charms and regalia, a legend was born with his breakthrough 1968 album Gris-gris, which established his unique blend of voodoo mysticism, funk, rhythm & blues, psychedelic rock and Creole roots.
click
here for the full bio

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